INTERVIEW WITH CHRISTOPHE GUILLARMÉ
FS: Where did you draw inspiration from for your latest Fall/Winter 2011/2012 collection?
CG: My inspiration came from the dance universe: a timeless black and white spirit, focusing on the lead dancer. It is close to the muse from the Darren Aronofsky movie, Black Swan.
FS: When creating a collection, do you pay special attention to the woman you’re designing for?
CG: Yes, but it comes a bit unconsciously as I virtually know her since the time I start working for her.
FS: Your pieces are often very ornate and heavily embellished yet maintain a good sense of wearability. How important is it to you that you create beautiful and practical garments?
CG: I must admit I’ve been more provocative in the past, but I was always concerned with wearability as I’m not a fan of fashion that never goes off the catwalk! Now, I’m focusing on a seductive approach to my garments that everyone can wear.
FS: You began your brand in 1998 at a young age. Do you have any advice for young prospective designers who want to launch into the industry?
CG: To speak as many foreign languages as possible because fashion is really an international business. And, also, to stay focused on their work; talent is nothing without it.
FS: How has your collaborations with choreographer, Mia Frye enhanced your design aesthetic?
CG: Mia Frye is a dancer and choreographer involved in many movies such as The 5th Element from Luc Besson or The Black Dalhia from Bian De Palma. Movement is always a priority to her and myself as well.
FS: We’ve come to expect colorful, intricately sewn and adorned pieces from you. Are these
“Glam Rock” elements signatures of your brand?
CG: You are 100 percent right. I’m not afraid to use vivid colours and crazy beading to push styling a bit further.
FS: Since 2003, you’ve been heavily involved in the renowned Cannes Film Festival each year. Tell us a little bit more about your participation at the festival.
CG: It’s kind of a love story I have with Cannes. I’m originally from Antibes, which is very close to Cannes. I have some clear images from the red carpet as a child, when I was a spectator. Now, I sometimes attend the red carpet with gorgeous celebrity clients wearing my designs.
FS: Throughout your career, your designs have been seen on the red carpet by many celebrities and high-profile individuals. How does it feel to see your designs in the spotlight?
CG: There is so much work that goes into each garment attending a red carpet and you can never be sure the celebrity won’t change her mind even at the last second. So, I must admit I think I deserve those little moments of glory whenever they happen!
FS: You launched your first fragrance, Le Tapis Rouge, last year. Why did you choose to expand your brand into that market?
CG: Actually, the nose of the product, , came to me and offered to create my first fragrance because my styles inspired him. I had an idea of what I wanted when creating my first perfume. I have an obsession with red fruits. I was planning to use cranberry but fell in love with black currant, which turned into the base of my fragrance along with roses and patchouli as well. It’s a fresh fruity mixed oriental perfume, perfect for anyone who wants to know how it feels to attend a red carpet event. Perfume is a brand new market for me. I’m learning everyday but it fits my expectations. It is already sold in Galeries Lafayette, Saudi Arabia and Kuwait.
CG: The philosophy I try to transfer to my brand is the Dolce Vita mentality: enjoy life and always have the feeling of walking a red carpet.
FS: What can we expect to see from you in the future?
CG: I recently had the opportunity to start a collaboration under my name for luggage with exclusive prints I designed. I’m having so much fun designing this line. The license is from Platinium, they carry Ines de La fressange, Morabito, Torrent and, now, me!
By Juliet De Rose
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